16 November 2010

Back to Buffalo, Part 4



Beverly had close friends going back to her grade school years in Buffalo, and I had the good fortune to speak with two of them: Kathleen DeLaney and Carol Bauda. They offered some wonderful memories of Beverly during her school days. Kathleen and Carol told stories of a Bev who, in addition to being a stalwart and big-hearted friend, was the instigator of pranks, a skilled athlete, an articulate and intelligent public speaker, a poet and writer, and an artist who revelled in the free atmosphere of the art room in Sacred Heart Academy. Here, the girls could find refuge from the strictures of the rest of the school, and listen to records, gossip, dream, and let their creative juices flow sitting at their easels.

The stories I was told will help me paint an accurate portrait of a life lived fully and well.

12 November 2010

Back to Buffalo, Part 3


During my visit to Buffalo, I was guided to some of the places that were important in the life of Sean Rooney by his sister, Cynthia Blest. Certainly a formative influence on Sean's life were his years at Canisius High School. In the photo on the right, Cynthia is pointing to Sean's portrait in the Class of 1969 picture, which hangs in a large room outside the auditorium/gym. In a number of media accounts, including this article in the New York Times, Canisius is given as the place where Sean and Beverly first met at a dance. So I was eager to see the gymnasium, where such dances were held. But after speaking with several people, I learned that the 16-year-olds actually met at a dance at another school. (You can read the book to find out which one!)

Another place I was taken to was the first house in which Beverly and Sean lived. Here began a tradition of grand nest-feathering, with Sean taking the lead and Beverly ably assisting in home renovation projects large and small. The fine wooden beams that Sean had created in the kitchen were still there.


09 November 2010

Back to Buffalo, Part 2

I went to Buffalo in search of stories from the early lives of Beverly and Sean, and I returned from my trip with plenty of them. I was especially keen on getting details about the young Sean Rooney, because I had only gotten a few vignettes from Beverly. On one sunny day, Sean's sister, Cynthia Blest, guided me around the parts of Buffalo that had been touched by Sean.

This is the house on Dorchester Road the Rooney family lived in when Sean was growing up. Beverly had told me the story about the time Sean had dismantled a 1951 MG TD in the driveway when he was a teenager, and rebuilt it piece-by-piece. And Cynthia recounted with a smile an episode involving Sean, some gin-and-tonics, and a botched repair job on the front steps. It was in the kitchen of this house, helping his mother, Rosemary, that Sean absorbed the lessons of how food and love could combine in magical ways. Many times it is the lessons we learn when we are young that carry us through in the years to come.

08 November 2010

Back to Buffalo, Part 1


I drove up to Buffalo in October to continue my research for the book. I focused on gathering information about Beverly and Sean during their early years, speaking with their friends and relatives, and visiting places that were important in their lives.

Karen Eckert kindly shared her memories of Beverly, and guided me around Buffalo. One of the places we visited was Forest Lawn Cemetery and Crematory, where the Eckert family placed a beautiful bronze plaque over Beverly's resting place. Karen said that she and the other siblings (Susan Bourque, Margot Eckert and Ray Eckert) had devoted a great deal of thought and care to the words on the plaque. It is a difficult thing to summarize in a short space the talents, accomplishments, spirit and love of an exceptional person. I think they succeeded:


BEVERLY A. ECKERT
Born May 29, 1951
Died February 12, 2009

In the crash of Continental Flight 3407
In Clarence Center, New York
Widow of her beloved high school sweetheart
Sean P. Rooney
Who died September 11, 2001
In the attack on the World Trade Center

Beverly was a tireless advocate for the families of the victims of 9/11
A leader in the establishment of the 9/11 Commission
And Co-founder of Voices of September 11th

A lover of beauty
A writer, an artist, a poet
A constant source of amazement and fun
Generous of spirit
Dedicated to her family and friends
And the principles of justice
She lived her life extraordinarily well

Devoted in love, Beverly and Sean are together now
"Happily Ever-Aftering"

"...The evening sky has deepened into darkness on a soft summer night. We are sitting on the stone step near the kitchen door, watching the fireflies rise in the backyard over the newly mowed lawn. Friends are expected for dinner. A steak is on the grill, a glass of wine in hand.... we are laughing.... we are content."

-Beverly Eckert-

23 August 2010

Beverly and the book and me: The birth of a collaboration

This somewhat improbable endeavor – a book about a 9/11 citizen activist by a Middle East scholar – came about because Beverly and I had so much in common. Our collaboration was born of shared interests, goals and even personalities. It makes sense, after all, that kindred spirits would work together well.

Had it not been for 9/11, our paths never would have crossed. But once I decided to write about the 9/11 Commission, our meeting was inevitable, because without the efforts of Beverly and other family members, the commission would never have been established. I interviewed Beverly for an article I wrote for the History News Network on the testimony of Richard Clarke before the commission. I had not known of her before then, but once I read about her life with Sean, her horrific ordeal with him on the telephone as he tried to escape from Tower Two, and eventually perished, I knew I wanted to tell her story, to make the whole experience of 9/11 personal and immediate to readers through her eyes.

After reading my HNN article, Beverly wrote in June 2004 that it had offered a perspective that was “really different” than those presented in the many other articles on the commission that she’d read. “You captured the drama and content of the testimony,” she said. Others had approached Beverly about doing a book, but they suggested that she do most of the writing. She turned them down, explaining that “I have too little time and energy right now for looking back, when there is so much to be dealt with in the present.”

As with many matters, when it came to deciding whether to get involved with producing a book, Beverly was deliberate and thoughtful. After I had broached the idea to her, she suggested I contact her again after a few months. During this time, she informed other members of the Family Steering Committee of my proposed book, and that I would be interested in getting in touch with them. None of them balked at the idea, but some told Beverly that the large number of media requests for interviews necessitated much greater selectivity on their part. She noted that “although the FSC members have been accessible before, I can't promise the same access now” since it was a very busy time. As for Beverly’s relatives and friends, she told me they were interested in the project and willing to contribute their recollections.

During the summer of 2004, we continued to be in touch, and during the course of our discussions, I had suggested that Beverly begin to keep a journal, to record her thoughts and actions for future reference. On July 4, 2004, she visited the memorial grove she had planted in Sean’s memory in the ocean side park where the couple had spent many a leisurely weekend, strolling, roller-blading, reading the Sunday New York Times. She placed a couple of American flags next to the plaque by the trees, she said, because “I felt it was something that I needed to do, given that Sean was killed because he was an American.” Beverly’s first journal entry described that gesture of love and remembrance.

Later in July, Beverly agreed participate in the book project. Her prime concern was accuracy. On a number of occasions she illustrated this sentiment by quoting Voltaire: “To the living, we owe respect. To the dead we owe only the truth.” She had no desire to dictate the content of the book, which she left to me. She trusted me to write an honest and accurate account of the people and events of 9/11 and afterward. She only wanted the opportunity to offer her version of events when the version of others differed, and to let me decide which was closer to the truth.

Beverly’s search for truth was what she owed to her beloved Sean. Mine is driven by the historian’s duty to present the past as it actually was. I’m confident that the people who matter the most – the readers of No Truer Hearts – will agree our shared quest will be yield something valuable and enduring.

03 August 2010

Flight 3401 family members celebrate hard-won airline safety reforms

Like their sister Beverly before them, Karen Eckert and Susan Bourque celebrated a legislative victory after many months of hard work in Washington's halls of political power. Karen, Susan and other family members and friends of the Continental Flight 3407 victims, as well as others supporting airline safety reforms, had been lobbying for for many months to press their cause. Yesterday President Obama signed legislation that would improve pilot training, address flight crew fatigue and other issues related to the crash of Flight 3407.

An article by Jerry Zremski of the Buffalo News summarized the reaction:

"At last it is official!" said Susan Bourque of East Aurora, who lost her sister, 9/11 activist Beverly Eckert, in the crash. "Today is my granddaughter Adriana's birthday. What a present -- not just for her but everyone who flies."

28 July 2010

Sculpting a book: from bare outline to fully formed story

When I am asked about the writing process, I like to use the analogy of a sculptor.

Just as a sculptor starts with sketches or small scale models, I began this project by making notes on the general structure of the book, following the main paths of Beverly Eckert's story. And just as a sculptor working in clay fashions a wire frame in the general shape of the final piece, I put together an outline listing the main parts, chapters, episodes of the story. To add texture and depth to the bare wire frame, the artist pinches off pieces of clay and smoothes them onto the frame, layer by layer, getting closer to the final design. As in all good works of non-fiction, the story told in No Truer Hearts is made up of facts, which I am drawing from interviews, emails, documents, articles, books, films, electronic media and other sources. I use these sources to add detail, insight and color to the basic outline, layer by layer, chapter by chapter, episode by episode. It is a process, in a way, of creative accretion, a gradual and deliberate adding on of color, shape, substance, soul.

In the end, there will be something that is both pleasing to the senses, and sturdy enough as an object of historical analysis to stand the test of time, a goal that Beverly and I both shared.